Click here to see the photo gallery
Click here to see the photo gallery

QUEER THINKING = EQUALITEA PARTY
Sunday 26th February
Art Gallery of NSW, Sydney

AWAY
Thursday 16th March
Drama Theatre, Sydney Opera House

MATILDA
Saturday 1st April 2017
Crown Theatre Perth, WA

LUKAUTIM SOLWARA (look out for the ocean)
Friday 17th February
Australian Centre for Contemporary Art (ACCA), VIC

ALL ABOUT WOMEN - Lindy West
Sunday 5th March
Sydney Opera House, Sydney

JOHN - BY ANNIE BAKER
Saturday 4th March
Arts Centre Melbourne, VIC

Auslan Stage Left enables and provides quality Auslan interpreted theatre, and training to interpreters and deaf consultants in the area of theatre interpreting. This organisation is auspiced under Arts Access Victoria. We are a not for profit organisation, managed by two volunteer directors (Medina Sumovic and Susan Emerson), an Outreach Coordinator (Mai Bryant Kelly) and Communications Co-ordinator (Melissa Lawlor-Smith).  Get in touch!


Upcoming Shows

Small and Loud [Melbourne]
Wednesday February 22, 2017 – 5:00 PM

The Arts Centre, Southbank VIC

Small and Loud [Melbourne]

Tom Ballard – Problematic [Adelaide]
Wednesday February 22, 2017 – 8:15 PM

Corona Theatre, Garden of Unearthly Delights, Adelaide SA

Tom Ballard - Problematic [Adelaide]

Queer Thinking: Equalitea Party [Sydney]
Sunday February 26, 2017 – 1:00 PM

Art Gallery Of New South Wales, Sydney NSW

Queer Thinking: Equalitea Party [Sydney]

View Shows in your state

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Click here to view shows in WA Click here to see the list of shows in NT Click here to view shows in QLD Click here to view shows in SA Click here to view shows in TAS Click here to view shows in VIC Click here to view shows in NSW Click here to view shows in ACT

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The Sound of Music – latest Vlog

What does the deaf community think about Auslan Stage Left?

There is only one word to describe my experience watching the Auslan interpreted Grease the Musical- PHENOMENAL!…Theatre interpreting is like an art in itself! It changed every single perception I have ever had of theatre and it’s accessibility.

Melissa Lowrie